Michael Delahoyde, PhD

Professor of English

Medieval & Renaissance: Arts & Humanities

Humanities 302
Section 01 [H]
Fall 2013
SLN 06740 — 3 Credits — No Pre-Requisites
MWF 1:10 – 2:00 p.m.
CUE 207


Dr. Michael Delahoyde
Avery Hall 355 — Washington State University
Hours: MWF 12:00-1:00, and by appointment.
Phone: 509-335-4832
E-mail: delahoyd@wsu.edu


HUMANITIES IN THE MIDDLE AGES
AND RENAISSANCE


Course Description:

Now that we all know that we’re an arbitrarily evolved and rather dorky species on one small poisoned planet out of nine, or eight (?), with a yellow sun in an obscure corner of a second-rate bass-ackwards galaxy in an expanding universe, what is to be salvaged from a time before psychotherapy, chemotherapy, restless leg syndrome, the meat industry, pharmaceutical cartels, a media “machine,” and hair-care “systems”? I hope it’s more than “quaintness.”

This Humanities course is designed to acquaint you better with the human and thoughtful side to life through literature, music, art, architecture, food, and other accomplishments of the medieval and renaissance worlds. The course will offer, just as the periods’ arts themselves were supposed to, the ideal union of “sentence and solas” — instruction and entertainment — as we examine courtly, religious, and popular works from the so-called High Middle Ages (right around when love was invented) up through the so-called Renaissance (when everything went to hell). We will address the cultural implications of these materials — that is, their impact in the minds and lives of those who have been influenced by them, and that includes ourselves.

I am particularly interested in how the principles and issues raised in this body of literature, art, music, and so forth, survive and arise in our own contemporary culture. I will encourage you to see and to make connections between ideas, attitudes, and cultures in classroom discussions, and to keep track of ideas currently circulating that interest you.


Learning Outcomes:

Students will gain exposure to Medieval and Renaissance thought, art, and influence by exploring some of the major artistic works that have recorded the human experience and shaped our culture and the way we think, thereby mastering a crucial representative component in a well-rounded education towards being a human, not just a consumer or an employee.

Students will increase intellectual maturation and clarification of their own values through examination of ideas and attitudes in literary/cultural contexts and especially through articulation of these in academic discourse.

Students will develop skills in critical thinking, verbal analysis, and detection of subtlety through reading, discussion, and writing about literature and other artistic media, so that they will be able to communicate successfully with other audiences both within and outside the university.


Required Texts:

[This is the text ordered at the Crimson & Gray and at the Bookie. You may use another scholarly edition but at your own risk; exams will be based largely on quotations drawn from this version.]

Dante. The Divine Comedy, Vol. I: Inferno. Trans. Mark Musa. NY: Penguin, 1984. ISBN 0-14-243722-3.

[Lots of other crucial and cool materials will be provided in hand-outs, on various types of screens, and, if it proves possible, on plates.]


Course Requirements:

A significant part of your life this semester has to become Medieval/Renaissance studies. Studying this stuff can be demanding, but at least we’ll be doing it together as a “learning community.” Because classroom interaction is essential for this to be a valuable experience, and because frequent quizzes and homework writings will be exchanged and no late assignments of any sort will be accepted, more than three absences will affect your grade regardless of reason. Additionally, no late assignments of any sort nor make-up exams will be accepted. Here’s the math:

I will frequently ask for relatively minor homework assignments to be submitted electronically on the Angel system, designed primarily to stimulate subsequent discussion and to practice conventions for writing about literature and the arts. At other times I will ask you to answer questions in writing in class, often ad lib responses to the reading before class discussion begins. Homework assignments and quizzes will receive numerical grades (points) and, although these writings cannot be made up (except for a couple optional writings that can take their place), the final semester totals will be curved if necessary.(30%)

You may be responsible for some sort of contribution to the learning community that may serve also as work towards one of the written projects: perhaps a brief but impressive lead-off presentation on a topic arranged in advance that is dazzling, informative, and glamorous, involving some research, or parallel outside reading, and possibly snazzy visual aids; or a handy web page. Class participation and other service to the learning community — occasional group work, for example — will be expected. (10%)

You will submit two written projects of manageable length.(30%)

Your presence will be kindly requested at two miserable exams.(30%)

Some introductory advice about succeeding with homework and exams can be found here.And here is an explanation of letter grades assigned to class work. No incompletes will be given.


Students with Disabilities:

I am committed to providing assistance to help you be successful in this course. Reasonable accommodations are available for students with a documented disability. If you have a disability and need accommodations to participate in this class fully, please either visit or call the Access Center (Washington Building 217; 509-335-3417) at the start of the semester to schedule an appointment with an Access Advisor. All accommodations must be approved through the Access Center. For more information contact a Disability Specialist on campus.


Academic Integrity:

As an institution of higher education, Washington State University is committed to principles of truth and academic honesty. All members of the University community share the responsibility for maintaining and supporting these principles. When a student enrolls in Washington State University, the student assumes an obligation to pursue academic endeavors in a manner consistent with the standards of academic integrity adopted by the University. Any student plagiarizing on any assignment or cheating on any exam in this class will receive an F for the course and will be reported to the Office of Student Standards and Accountability, who remind us that Washington State University reserves the right and the power to discipline or to exclude students who engage in academic dishonesty. Cheating is defined in the Standards for Student Conduct WAC 504-26-010 (3). It is strongly suggested that you read and understand these definitions.


Safety and Emergency Notification:

Washington State University is committed to enhancing the safety of the students, faculty, staff, and visitors. It is highly recommended that you review the Campus Safety Plan (http://safetyplan.wsu.edu/) and visit the Office of Emergency Management web site (http://oem.wsu.edu/) for a comprehensive listing of university policies, procedures, statistics, and information related to campus safety, emergency management, and the health and welfare of the campus community.


N.B.:

Lust for engagement with the period, Gluttony for knowledge, Envy for motivating accomplishment, Greed for success, and Pride in your work are the only acceptable sins here. Sloth will be especially reprehensible and will be met with Ire.


Medieval Arts & Humanities Index


Dr. Michael Delahoyde, Clinical Associate Professor, Department of English
delahoyd@wsu.edu
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